In this way, we will obtain our own appreciation of it, and develop a musical critique. As a dancer, if you are not dancing on time with the music, then you are not dancing (although it might look like. And we stop to think about them analytically, regardless of the level of musical knowledge we have.įinally, by way of conclusion, we should reflect on the connection between this music and our own experiences and emotions. In a second instance, we continue by recognising musical language, along with its technical and expressive aspects. Partner dancing requires realtime coordination between a human leader and follower, and so exemplifies other decentralized systems: supervisory control. But thats not musicality, thats adapted technology. Even workshops based on the pattern dance slowly to slow parts, dance fast to fast parts hardly change anything. You can dance to anything, nothing is too simple, and if something is too complex, you hardly notice it. The act of “listening” is linked to the sensory, but “active listening” is the activity of educating attention by listening, and it requires going through the process of interpreting or understanding the information that listening provides us.ĭuring this process, we begin by discovering music and its sounds, in a basic way, linked to the sensory. If you dont have musicality, you dont have a problem with that. That is to say, to become aware of what kind of information or details we can extract from the music we listen to. Musicality in dance can be interpreted in. Alex Krebs explores how you might dance Tango when the melody is smooth or. Going into the receptive part, the most important thing will be to develop the perception of the music. Musicality in dance is how a dancer hears the music they are dancing to and interprets it into the moves they make. Online Argentine Tango Dance Lesson Video: Musicality - Dancing Lyrically.
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